I held some strong convictions when I was young. I just knew what I knew was true because, well, “when you know, you know,” right? But I didn’t know what I didn’t know. For most of us, we often miss the realization that we actually don’t know. Until we’re knocked loose from those dearly held certainties, that is, and not always gently.
Around age 28, life provided me plenty of jolts to rumble the foundation I’d built, one I was sure was rock solid. I’d left the Mormon church. And my marriage. The shockwaves were severe enough to send many of my beliefs toppling ass over teakettle and smashing to bits on the ground.
When I was growing up we moved a lot, big moves crisscrossing the country. Perpetually the new kid, I never stayed long enough to feel like I fit in. Then, I married a man whose childhood was the opposite of mine, who grew up in a small north Missouri town of Mayberry charm. It seemed like the ideal for many reasons and though I could not give it to my oldest two children, Columbia is the only place my youngest two remember.
A dream come true for me, raising the kids in the same town, the same schools, the same neighborhood, the same house, felt like a second chance for me, too. Like coming home.
But now it’s time to go. Change is hard, even when it’s the right thing. Objectively, I marvel at our human tendency to reverberate with surprise or even shock when life takes a turn. Why, exactly, are we so astonished? After all, the only constant in life is change. But subjectively, I am taken aback at every shift and feel it deeply, personally. Even when it’s my own choice.
There are moments when the veil seems almost to lift, and we understand what the earth is meant to mean to us — the trees in their docility, the hills in their patience, the flowers and the vines in their wild, sweet vitality. Then the Word is within us, and the Book is put away.
Mary Oliver, The Veil
They called her Barbie, an apt moniker for her given name. A real-live Barbie doll, she was tall, gorgeous, voluptuous, blonde. But she also carried herself with the elegance of a Barbara. Moviestar glamour. Dressed to the nines and turning heads. She made you feel important when she bestowed her attention on you. She was all yours. Her eyes held an almost mischievous twinkle, while her gorgeous, wide-mouthed smile lifted on one side only. Her laugh was sensuous, subtle.
Dad emailed on Monday.
“Good morning, kids. Our dear Barbie passed through the veil last night about 9:15 pm Seattle time. She never woke up again since she went to sleep Thursday evening. It was a very blessed and peaceful passing. No more pain and trauma to her little body.”
When I was young, I married my best friend. It’s a cliché easy to dismiss as sentimental until it happens to you. In my husband, I found my home. Now, ensconced in midlife and traversing the terrain of family life, inherent with its joys and sorrows, I’m filled with deepening gratitude for his presence and a love that grows stronger — and simpler — with time.
A scene from the movie Valentine’s Day illustrates the enigma of mature love. After they’ve had a devastating rift, Shirley McClaine says passionately to her husband of fifty years, Hector Elizondo, “I know I let you down. And maybe you don’t think I deserve your forgiveness, but you’re going to give it to me anyway. Because when you love someone, you love all of them — that’s the job. The things that you find lovable and the things that you don’t find lovable.” His anger quickly melts. As he takes her in his arms, he whispers: “Shhhh. I understand. I’ll never leave you.”
The older I get, the more I’m drawn homeward. When the weather turns cold, my craving for soup on the stove, a fire in the hearth, and time to knit begs to be slaked. Chilly temps find me cruising arts and crafts stores, feasting on colors and textures of yarn, imagining new projects. Winter sends me digging for my stash.
On hands and knees with the bedspread flipped up, driven by this seasonal hunger, I drag out from under my bed baskets and totes of knitting supplies, including fifty years of my mother’s accumulation I inherited after she died. Unlike my messy stockpile, hers is meticulously organized: stitch holders, markers, and gauge rulers, and dozens of pairs of needles—aluminum, plastic, wooden, double point, circular—all collated by size and neatly labeled. Her handwriting mark the pages of dog-eared pattern books dated back to the 1950s. Unused skeins of expensive alpaca wool leave me to wonder at her unfulfilled intentions.
It’s a gorgeous spring day on our 22 acres outside Fulton, a brocade of rolling green set against a periwinkle sky. It’s where I come to breathe. Today all four kids, their families, plus my dad and sister visiting from out of state are here to celebrate. Four generations together, a rare treat. I’m relishing every idyllic minute. The afternoon, spent fishing, exploring, hiking, and picnicking, is nearly over before I remember the photo.
“Hey, you guys!” I say, calling everyone in. “Let’s get a picture under the big tree.”
The night is a pleasant 68 degrees, but heat emanates from the bright stadium lights, and I’m damp beneath my Rock Bridge High School T-shirt. My boots clink on the aluminum steps as I climb past the student section and up the bleachers. A few people in the stands wave and others call out “Good luck!” I slide into the seat my husband, Steven saved for me while I helped our daughter, Sydney, execute the night’s events.
“She’s ready,” I say, glancing at the scoreboard. A minute thirty left in the half. Steven pats my leg.
The words are sharp, a staccato litany of frustrations ricocheting around the room. They’re mine, directed at my misbehaving teenager. Adrenaline shoots through my veins. Careful, I think, sucking in a breath, holding it. The silence echoes loudly. In my head, the diatribe continues.
Shhhh, a gentle voice says. Stop now.
My youngest stands in her pjs, ten feet away in the darkened kitchen. Backlit by the hall light, she’s small for fourteen, but contrition renders her smaller. The fire has gone out in her eyes.
In the hush of the hotel room I hear cars rushing by on the busy interstate. Above the hum of the fan, a far-off siren rises and recedes. It’s late. My teenage daughters make their cozy bed on the pullout in the other room. Their noisy whispers taper to silence then morph into the breathy sounds of sleep. Cocooned in the quiet, I listen to the rise and fall.
My husband and I detach for the moment, suspended between their sleep and ours. We recline on crisp white sheets, he with his phone, and me, my laptop. Time seems to stop, or perhaps I’m just willing it to. Shutting off his phone, my husband rolls over and reaches for the lamp. “Goodnight, honey,” he says. “Don’t stay up too late.”
In the dark, a glow emanates from my computer screen. I remove my reading glasses and rub my temples. I can’t give in. Not yet. Facing down the night, I try to stretch the hours until morning when my 31-year-old daughter will undergo a double mastectomy.
It’s late December, only days to Christmas. The kids are out of school and it’s dark already at 4:30 pm. All the lights burn in the kitchen where my husband is busy making sugar cookies with our girls. Flour dusts the counters and floors. A delicious aroma fills the house. I’ve got work emails to tackle, but I’m doing it reclined on the couch while listening to Christmas music. iTunes shuffles our collection of eclectic albums, creating the playlist that plays pleasantly in the background. Until the opening phrase of Happy Xmas catches my ear.
“And so this is Christmas, and what have you done? Another year over and a new one just begun.”
The unmistakable timbre of John Lennon’s voice causes me to pause. I close my eyes to listen. Such a familiar, comforting melody.
Lisa Pullen Kent is a writer, yoga teacher, musician, and passionate lover of people. She writes on parenting, marriage and the sacredness of the ordinary in everyday life. Lisa splits her time between Columbia, Missouri, where she lives with her adult daughter who has Down syndrome and Steedman, Missouri, where she lives with her husband on their farm in the country.