It’s a gorgeous spring day on our 22 acres outside Fulton, a brocade of rolling green set against a periwinkle sky. It’s where I come to breathe. Today all four kids, their families, plus my dad and sister visiting from out of state are here to celebrate. Four generations together, a rare treat. I’m relishing every idyllic minute. The afternoon, spent fishing, exploring, hiking, and picnicking, is nearly over before I remember the photo.
“Hey, you guys!” I say, calling everyone in. “Let’s get a picture under the big tree.”
God bless the postman who brings the mail.
And bless the cowboys out on the trail.
Bless Mommy and bless Daddy who come each time I call.
God bless the folks I love, God bless us all.
Lyrics by Tom Murray, Music by Tony Burrello, 1953
I took a quiz once to define my priorities in life, listing the three possessions I would save if my house was on fire. The answer was the same then as it is now; family photos are numero uno on my list. And two and three as well, since I would lug through the flames as many albums as I could drag or throw. Now, in the digital age, our collective family history is conveniently stored on my hard drive and I imagine in my panic, I might heave my iMac out the window. It may seem like dramatic heroics to rescue mere two-dimensional images, but these visual reflections of the past not only warehouse and catalogue individual moments, but also activate and develop the negatives in my memory, bringing the people, places, and times surrounding those moments back to life, in vivid 3D Technicolor. Pictures tell stories. Pictures reveal secrets. Pictures frame truths. Irreplaceable homages to what has been and never will be again, they are priceless.